But Parliament had been sampled plenty of times before-the flower children in De La Soul scored their biggest hit with a flip of “(Not Just) Knee Deep” three years earlier, and Dre himself had mined George Clinton records for N.W.A’s albums. “We wanted to make a real Parliament-Funkadelic album.” The influence is apparent on “Let Me Ride,” which samples “Swing Down, Sweet Chariot” on its hook, and especially on “The Roach,” a Mothership homage bordering on parody updated for 1992 Los Angeles.
It started with the spirit of George Clinton: “At the same time were like, ‘We need to do some P-Funk–sounding shit,’” Dre’s Chronic cowriter, multi-instrumentalist Colin Wolfe, told Wax Poetics in 2014. With the new studio, new freedom, and new botanical muse, Dre began crafting a sound that would redefine rap, both for his coast and the genre at large. The sessions for the project, which took place at the newly christened Death Row Studios in Hollywood and Dre’s Calabasas home, quickly became smoke-filled affairs-quite the change for someone who rapped four years earlier that he “don’t smoke weed or sess / ’Cause it’s known to give a brother brain damage.” Through that haze, a title emerged: The Chronic. Soon, Dre and a horde of collaborators began working on what would become the label’s first release, which would double as Dre’s first solo album and a showcase for Death Row. Dre, who pleaded no contest to misdemeanor battery charges stemming from the incident in August 1991, would eventually settle the suit out of court.Īgainst this backdrop, Knight, the D.O.C., record producer Dick Griffey, and a 27-year-old Dre founded Death Row Records with the help of seed money from Michael Harris, a businessman who was serving a sentence for drug charges and attempted murder. After confronting her at an industry party, Dre “began slamming her head and the right side of her body repeatedly against a wall near the stairway,” kicked her in the ribs and stepped on her hands, and followed her into a bathroom to continue the assault after she tried to escape, Barnes said at the time. The most high profile of those was the civil suit brought by Dee Barnes, host of the Fox hip-hop show Pump It Up, who said that Dre brutally assaulted her in 1991 because of the way a segment on the show involving N.W.A and departed group member Ice Cube had been edited.
#Dr dre the chronic album purchase free
When he threatened to hurt Eazy’s mother and Heller if that didn’t happen, the diminutive rapper reluctantly signed the papers.ĭre was free of his contractual obligations, but legal problems still loomed. Knight, who had famously hung rapper Vanilla Ice over a balcony to get him to sign over the rights to his hit song “Ice Ice Baby,” demanded Eazy-E release Dre, D.O.C., and several others from their Ruthless contracts. (Heller, who died in 2016, disputed these claims.) Desperately wanting to start a new label, he enlisted the help of Suge Knight, a former UNLV defensive end and the bodyguard of Dre’s confidant the D.O.C. But he wanted out, badly: His royalty payouts were too low, and he felt N.W.A founder Eazy-E and manager Jerry Heller were taking advantage of him. Seven of the eight albums he’d produced for Ruthless Records between 19 had gone platinum, including his group N.W.A’s most recent opus, Efil4zaggin, which hit no. Dre found himself at a crossroads in 1992. Dre, Rolling Stone, 1993īorn Andre Romelle Young in Compton, California, Dr. If I had to go back home living with my mom, that wasn’t going to happen.” -Dr.
I didn’t receive one fuckin’ quarter in the year of ’92, because Ruthless spent the year trying to figure out ways not to pay me so that I’d come back on my hands and knees. I just knew that I was hearing something unlike anything I had heard before. But at the time, I didn’t know any of that. The Chronic also sparked debates over misogyny and homophobia in rap music and served as the first step in Dre’s attempts to rewrite a troubling personal history that includes several high-profile incidents of violence against women. It made the former N.W.A producer a household name and a larger-than-life myth while launching the stratospheric career of a lanky, unknown MC named Snoop Dogg. The Chronic, which is finally available on all major music streaming platforms as of Monday (4/20, of course), was the rap album that conquered the suburbs and codified the dominant sound of an entire coast. It would seem no one told me that “Dre Day” becomes “Fuck Wit Dre Day” when you don’t have to worry about FCC violations.